Interesting. The new Mitsubishi Delica comes with a bird’s eye view. The news, via Tech On, in Japanese-style English:
The Multi-Around Monitor System processes images shot by four cameras and displays a view from above the vehicle on the monitor. In addition, the front camera, which is equipped with a function to detect obstacles, detects vehicles, bikes and pedestrians approaching from either side of a blind intersection and warns the driver by sound and visual alerts.
As for the systems to display bird’s eye views, Nissan Motor Co Ltd and Honda Motor Co Ltd have already commercialized the “Around-View Monitor” and the “Multi-View Camera System,” respectively. But parts manufacturers of the two systems are different from Mitsubishi’s system.
Also, Mitsubishi’s system is the first one to detect obstacles by using a front camera that is used for bird’s eye viewing. The company is currently developing the two functions aiming at commercialization.
Mitsubishi developed the bird’s eye view system with Clarion and used a 250,000-pixel CCD for the front camera. Nissan’s system employs a 1.35-Mpixel CMOS camera develooped by Sony Corp, while Honda’s system is mounted with Panasonic Corp’s 350,000-pixel CCD camera. In terms of resolution, Mitsubishi’s system is similar to the one developed by Honda.
I’m particularly fond of Mitsubishi’s new tag line for the Lancer, “saving the world from global blanding.” It’s got legs.
Wonder if this minivan finds its way to the U.S.
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Amy Corr’s MediaPost piece on Shiner Beer’s ambush of Heineken at the Austin City Limits music festival is worth reading — if just for the comments. Texans love their beer, and I don’t think they care what the official beer sponsor was.
The story was first published in October (Ad Age), back when it was news:
Apparently, the Dutch have never heard the phrase “Don’t mess with Texas.” How else to explain Heineken’s sponsorship of the Austin City Limits Music Festival? Sure, Austin tends toward the urbane and sophisticated, and the ACL does draw a huge NPR sort of crowd. So it could have seemed like a good fit for an import that is regarded as a little more classy than your average American brew.
But Austin is deep in the heart of Shiner country. You know Shiner, right? Great beer made in Texas that, for some reason, isn’t distributed in New York (though if you know where to look, you can find it). Sadly, if you’re a country-first, underdog kind of beer drinker, little Shiner simply couldn’t compete with a company like Heineken when it came to snagging the ACL Music Festival sponsorship. So how is that guy in the photo to the left drinking a Shiner, when there were none to be found? He isn’t!
Shiner wasn’t even available inside the festival. But that didn’t stop its ad agency, McGarrah Jessee, from targeting the 65,000 people attending. So the shop printed up Shiner koozies designed to look just like Shiner cans and had street teams hand them out to festival-goers. Sure, they might not have sold any beer that day, but they did get the brand out there in a way that anyone with a soft spot for scrappy underdogs would appreciate. (But just for the record, I’d rather have a Shiner in my koozie than a Shiner koozie on my Heiny.)
Good work by the agency. Wonder if Heineken will be better prepared next time around — with their own beer koozies. But take a closer look at the Austin City Limits photos, and you’ll see people drinking Lone Star beer.
And the koozies I saw were the Keep Austin Weird variety.
Love this Shiner TV spot:
[youtube=http://www.youtube.com/watch?v=6S0XIqURY3M]
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